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Gum Bichromate and Kwik Print: Exploring multi-layered
Abbott’s commentary situates Atget historically and artistically
"The Silence of Stones: The Photographer as Artist" (Brewster Ghiselin): This landmark essay by the poet and critic Brewster Ghiselin explores the metaphysical side of the medium
Miles Barth
The curated plates focus heavily on his emerging color work
Christian Schad and the Neue Sachlichkeit, edited by Jill Lloyd and Michael Peppiatt. Annuals Gum Bichromate and Kwik Print:Schirmer Mosel Verlag, Munich in association with Neue Galerie, New York, 2003. Hardcover, fine with very good dust jacket that has a few thin scratches and small indentations, and a crimp at bottom corner of inner front panel. Issued in connection with an exhibition at Neue Galerie. 260 pages. Christian Schad (1894 1982) was a leading figure in the Neue Saclichkeit (New Objectivity) movement of the 1920s whose oeuvre featured a wide range of subjects
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