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[Even if you don't read Dutch
Expansion and Conflict: Breathtaking landscape photography from the American West (surveys) and the gritty
The book chronicles the shift from Pictorialism—which sought to mimic painting through soft focus—to a structured
weathered beauty of its contemporary landscape
Notes: Photographer and co-founder of the Kamoinge group of Black photographers in New York in the early 1960s
Daguerreotypes. Image, the Journal of the George Eastman House of Photography. Volume 5, Number 1, January 1956. Signed Copy [Even if you don't readEdited by Minor White. Includes Beaumont Newhall, "The Broadway Daguerreian Galleries," pages 27 37. [Discusses the leading galleries owned by Mathew Brady, Martin M. Lawrence, Rufus Anson, and Jeremiah Gurney, and mentions the operators who actually took the daguerreotypes for them such as James A. Brown, Polycarp von Schneidau, and Gabriel Harrison. Well illustrated with views of galleries, portraits of daguerreotypists, etc.] Complete issue, 45
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