The Music to Come keith-haring-1 Sottsass continued to produce provocative

Sottsass continued to produce provocative work

Texts by Nadia

The routine practice of asking yourself these questions is an exercise in drawing the connection between memory and experience

appearing in several of his films such as “Kitchen” (1965) and “Chelsea Girls” (1966)

Spiral-bound in neon pink stiff wraps

The Music to Come keith-haring-1 Sottsass continued to produce provocativeShelter Press, 2020. Softcover, 56pp., 4. 3 x 6. 2 inches New This is not a study. It is a manifesto for a peculiar conviction: that music remains to be discovered, that it is still hidden. That, nonetheless, it does sometimes appear, but most often incompletely and unevenly. And that what we have hitherto referred to as music is in fact only a preliminary, a prodrome. That all musics produced up until now have been nothing but simulacra, rituals to